Wednesday, November 28, 2012

TRUE STORY: ALUMINUM FOIL IS MAGICAL

Tom Friedman




James Hampton
I've been thinking a lot about aluminum foil, and different ways to use it in upcoming Art After School winter session projects.

Pictured above: Tom Friedman's Aluminum Foil Thing and James Hampton's Throne of the Third Heaven of the Nations’ Millennium General Assembly. From the Smithsonian American Art Museum's website, where you can read more about  Hampton and his work:

"James Hampton's entire artistic output is this single work which he called The Throne of the Third Heaven of the Nations' Millennium General Assembly. Hampton worked for more than fourteen years on his masterwork in a rented garage... Hampton's full creation consists of 180 components—only a portion of which are on view... His work also includes plaques, tags, and notebooks bearing a secret writing system which has yet to be, and may never be, deciphered."

What's going down in YOUR garage these days?

Thursday, November 15, 2012

MEMORY BOXES

Here are some of the "memory boxes" made this week in two Art After School classes. The students were asked to depict a memory they liked in mini diorama fashion. As simple as these are, it can be tough to conceptualize and execute a diorama-type piece in the course of an hour or less, and I thought the kids did a good job with the time they had. I liked hearing about the memories they chose, and the idea of having these little vignettes tucked away in closeable boxes. One of the funniest memories shared: a student walking into a pizza shop to find Santa sitting by himself, eating a chicken sandwich!

L: petting stingrays; R: Santa in the pizza shop


















L: petting dolphins w/ family; R: helping her mother swim to shore


















L: playing basketball in Spring; R: discovering Legos



















L: going to Miami for Thxgiving; R: an apple orchard in Kyrgyzstan


















L: a cruise to Ireland; R: first day at a new school

Monday, November 5, 2012

MONDAY INSPIRATION: GROWN UP KID ARTIST ALAN BROWN
























I had the good fortune to meet artist Alan Brown (aka Medusawolf) during my second year of art school, and he's been a good buddy of mine and a serious source of inspiration ever since. Alan imbues his skillfully rendered illustrations of other worlds and other-worldy characters with a sense of magic, mystery and discovery that makes each new work he shares an exciting new experience. You can see his work on his blog, or his Etsy page, where you'll find paintings and prints, each accompanied by a clever caption suggestive of a larger narrative.

In addition to the abundance of drawings, paintings, etchings, and prints he turns out on a regular basis, I am never surprised to hear on any given day that he's busy carving action figures from wood, building a work table from scratch, making his own t-shirts, or fashioning masks and costumes resembling the creatures in his illustrations. Alan has a killer sense of humor, a cinematic imagination, and a seemingly endless desire to learn, try, and create new things. For all these reasons and more, Alan is one of my most favorite artists and grown up kids. He's currently finishing up a comic titled Ovoyyamar*, and I'm psyched to post a few excerpts from that here, along with his answers to a handful of questions that might be of interest to creative kids and grown up kids alike. Click the "read more" link below to see the full post. (*Parents: please note, some of the topics in this post and illustrations on the Ovoyyamar blog page may be slightly spooky to younger kiddos). 
An excerpt from Alan's comic Ovoyyamar




















M/B: I've seen you note in several places that you "grew up near the woods and discovered the world was a weird mystery." Can you speak a little more to that, and/or any experiences you had as a kid that persist as influential forces in your work today?

AB: The small neighborhood I grew up in along the Chesapeake Bay is surrounded on one side by shoreline and on the other side by forests and fields.  Standing by the water, exploring the rocky beach, looking out across 7 or 8 miles of water toward the opposite shore, which at times in the winter would become completely iced over creating enormous drifts of snow and tall spiky hills of ice, it was all pretty wondrous.